WIKIMEDIA COMMONSĬurator of 19th-century European painting, Metropolitan Museum of Art, New York This work is special because it not only conveys that first-hand experience of nature, it also records Monet’s novel working practice.Ĭlaude Monet, Garden at Sainte-Adresse, 1867, oil on canvas. Rapid brushstrokes describe the broken reflections on the water and the abundant greenery that spills down from the banks. From his mid-river viewpoint, the artist was perfectly placed to capture the fleeting moment. The figure in the center-shown only in silhouette-is a self-portrait of Monet himself.
![claude monet impression sunrise 1872 analysis claude monet impression sunrise 1872 analysis](https://impressionnisme-recherche.net/wp-content/uploads/2019/09/1.-Monet_Impression-soleil-levant-854x658.jpg)
To paint, he would sit at the front of the vessel, a spot that is obscured in this scene. This view shows the back of the boat, and the central cabin where he kept his supplies. He purchased an old fishing boat and converted it into a floating studio. Barnes FoundationĬhief curator, Barnes Foundation, Philadelphiaįor a few years in the 1870s, Monet and his family rented a house near the river in Argenteuil, but he soon realized that he wanted to make paintings from the water. And that is probably why I return to it again and again for its visual enchantment and feeling of absolute quietude and sincerity.Ĭlaude Monet, The Studio Boat (Le Bateau-atelier), 1876, oil on canvas. For me, the painting is as intimate, self-reflective, and noiseless as the site must have seemed when Monet approached it in his flat-bottomed boat.
![claude monet impression sunrise 1872 analysis claude monet impression sunrise 1872 analysis](https://www.3minutosdearte.com/wp-content/uploads/2021/04/Monet-Impresion-sol-naciente-1872-miniatura.jpg)
I find my eye plunging into the blurry zones of color, suggesting overhanging branches, river, and sky, which seem to move behind and in front of each other and then flatten out into a tie-dyed silken surface. Or the seemingly breathed-on surface of lavenders, pinks, and opalescent blues, that (from technical analysis), I know are actually the result of multiple super-imposed layers. Perhaps it is the reversibility of the image, where the reflected and reflection are indistinguishable.
![claude monet impression sunrise 1872 analysis claude monet impression sunrise 1872 analysis](https://i.pinimg.com/originals/05/eb/84/05eb845f66b5af44ac533de8f2ff7f49.jpg)
There’s something magical about the subject of pre-dawn mist, inviting my strong emotional response even as it calms and equilibrizes me. In the gallery of Monet’s iconic series of haystacks and numerous canvases inspired by his water lily pond at Giverny, I find this canvas the most breathtaking, precisely because it does not call attention to itself. Ryerson CollectionĬhair and curator of painting and sculpture of Europe, Art Institute of Chicago Yet, we need only look at this compelling example of Monet’s work to see that, for this artist, thoughtful intentionality was essential to effectively depict immediacy.Ĭlaude Monet, Branch of the Seine near Giverny (Mist), from the series “Mornings on the Seine,” 1897, oil on canvas. His second wife Alice Hoschedé characterized her husband as one “who leaves nothing to chance,” a trait that seems at odds with the artist’s famed ability to capture a fleeting moment. What I find remarkable in this work is Monet’s ability to integrate every element to create a scene of balanced, timeless harmony and convey all the spontaneity of a captured moment in time. It takes over almost the entire lower half of the painting, accentuating with its gentle curve the intersecting lines of the beach, sea, and ground, resulting in a picture that is simple in details and highly sophisticated in composition. We recognize the site of Pourville thanks to the distinctive white cliffs to the left, and yet a simple path dominates the scene.
![claude monet impression sunrise 1872 analysis claude monet impression sunrise 1872 analysis](https://ih1.redbubble.net/image.3475721490.3056/flat,750x,075,f-pad,750x1000,f8f8f8.jpg)
The Path in the Wheat Fields at Pourville is one of my favorite paintings by the artist in the Denver Art Museum collection. Hamilton CollectionĬhief curator and curator of European art before 1900, Denver Art Museum Claude Monet, Path in the Wheat Fields at Pourville (Chemin dans les blés à Pourville), 1882, oil on canvas.